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FROM COURT TO COURT: Humanism in Music - Anonima Frottolisti
FROM COURT TO COURT: Humanism in Music - Anonima Frottolisti

FROM COURT TO COURT: Humanism in Music - Anonima Frottolisti

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The splendour and cultural heritage of Humanism contain an intricate network of intuitions and revolutions – that are often local or have developed in geographically or politically welldefined areas – of culture and of its representation in society: an unlimited theatricalisation of reality, in which each gesture, symbol and behaviour is transformed into an active component of the greatness and beauty of the Court and of its main actuators. In a picturesque fresco of this rich era - musical heir of the Middle Ages – the Anonima Frottolisti ensemble offers a cross-section of the main aspects that characterized it: power, love, celebration, dance, and faith, through an imaginary journey in the wonder of the Italian courts of the fifteenth century.

Del potere
01. Alla battaglia, Anonimo
02. Viva viva li galanti, li amorosi tutti quanti, Anonimo
03. Né più bella di queste (Canto delle dèe), Heinrich Isaac
04. Zappay~Propiñan de melyor~Chiave Chiave, Anonimi


Dell'amore
05. Poi chel ciel e la fortuna, Anonimo
06. Rolet Ara~Maistre Pière~LaTricotée, Anonimo
07. Chi me darà più pace, Marco Cara
08. Tente a l’ora, ruzenenta, Anonimo
09. Io son quel doloroso e tristo amante, Andrea De Antiquis
10. Señora de hermosura, Juan Del Encina
11. O partita crudele, Anonimo


Della festa
12. Rodrigo Martinez, Anonimo
13. Chi la castra, la porcella, Marco Cara
14. Baco, baco, santo Idio, Anonimo
15. Piva, Joan Ambrosio Dalza


Della danza
16. Danse de cleves, Anonimo
17. Se non dormi, donna, ascolta, Anonimo
18. Marchesana, Giovanni Ambrosio
19. [Rostiboli]Gioioso, Domenico da Piacenza
20. Giloxia, Domenico da Piacenza


Della fede
21. Kyrie-Missa[Vineux], Guillaume Du Fay
22. Noè Noè, Antoine Brumel
23. Salve Regina, Marco Cara
24. Ut queant laxis resonare fibris, Anonimo