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BACH IN KOTHEN (arranged for guitar duo): Klaus and Rainer Feldmann
BACH IN KOTHEN (arranged for guitar duo): Klaus and Rainer Feldmann

BACH IN KOTHEN (arranged for guitar duo): Klaus and Rainer Feldmann

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MEMBRAN
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1. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Allemande
2. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Courante
3. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Sarabande
4. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Gavotte
5. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Menuet & Trio
6. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21): Gigue
7. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Allemande
8. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Courante
9. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Sarabande
10. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Gavotte
11. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Polonaise
12. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Menuet
13. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Bourrée
14. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): Gigue
15. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Prélude
16. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Allemande
17. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Courante
18. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Sarabande
19. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Bourrée 1 & 2
20. English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Gigue

Johann Sebastian Bach worked in the years 1717 1723 as director of music at the court of prince Leopold in Koethen, a little town in Saxony-Anhalt. It was the ideal case of ourt-musical employment: Bach met a highly qualified orchestra, excellent instruments and the service was free of clerical official duties. He created here immortal works of art, especially the Brandenburg Concertos, the first part of his Well-Tempered Piano, numerous solo suites, partitas and sonatas, as generally the biggest part of his piano- and chamber music oeuvre.