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HARMONIA MUNDI

MOZART: PIANO CONCERTOS K.453 & 482 - Kristian BEZUIDENHOUT, Petra MULLEJANS, Freiberger Barockorchester

MOZART: PIANO CONCERTOS K.453 & 482 - Kristian BEZUIDENHOUT, Petra MULLEJANS, Freiberger Barockorchester

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Mozart places melody at the very heart of his concertos. Introverted and sometimes uncertain at the start of Concerto no.17, it is subsequently transmuted into birdsong – foreshadowing Papageno’s tunes – and leads to a finale worthy of an opera buffa. Imbued with majesty in Concerto no.22 (contemporary with Le nozze di Figaro), it takes on a tinge of bitterness in the work’s slow movement, before returning to more joyful melodic motifs, one of which will recur in Così fan tutte. Never have opera and concerto been so close.

 ECHO Klassik



Piano Concerto no.17 K.453
in G major / Sol majeur / G-Dur

1I. Allegro 11'31

2II. Andante 9'51

3III. Allegro 7'47

4Rondo in A major / La majeur / A-Dur K.386 9'19

Piano Concerto no.22 K.482
in E flat major / Mi bémol majeur / Es-Dur

5I. Allegro 13'23

6II. Andante 8'11

7III. Allegretto 12'35

 
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