The Romantic Piano Concerto, Vol. 61 - Döhler & Dreyschock: Piano Concertos - Howard Shelley, Tasmanian Symphony Orchestra, Howard Shelley

Piano Concerto in A major Op 7[28'28]Theodor Döhler (1814-1856)
1
Maestoso[13'44]
2
Adagio[4'09]
3
Allegretto[10'35]
4
Morceau de concert in C minor Op 27[16'42]Alexander Dreyschock (1818-1869)
Salut à Vienne 'Rondo brillant' Op 32[10'55]Alexander Dreyschock (1818-1869)
5
Introduzione – Tempo di marcia –[4'17]
6
Rondo: Allegro con moto[6'38]
The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto in A major and Dreyschock’s Salut à Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers.

Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation—and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut à Vienne is a lighthearted but highly effective showpiece.

These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.