"Les Arts Florissants are on great form and sound glorious." (Opéra Magazine)

"William Christie'’s direction can almost be taken to guarantee a fine performance and that’s the case here. We see him standing at the outset before quite a large orchestra, in front of a harpsichord. I don’t know how often he plays it, but there seems to be another keyboard in the continuo - it and the other continuo instruments can (just) be heard where it matters and that’s a pleasant change from some modern recordings where the harpsichord might just as well not be there." (Musicweb International)

"It's a fascinating piece...There are no weak links in the cast..." (BBC Music Magazine)

"With a small orchestra of solo strings, continuo and a couple of woodwind, the focus is very much on the declamatory skills of the singers. Anna Bonitatibus is outstanding, especially in her confrontation, impassioned but dignified, with Aeneas..." (Gramophone)