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Hyperion

Conductus, Vol. 1 Music & poetry from thirteenth-century France - John Potter, Christopher O'Gorman, Rogers Covey-Crump

Conductus, Vol. 1 Music & poetry from thirteenth-century France - John Potter, Christopher O'Gorman, Rogers Covey-Crump

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1
Quo vadis, quo progrederis?[3'19]
John Potter (tenor)
2
Genitus divinitus[4'30]
John Potter (tenor), Christopher O'Gorman (tenor)
3
Quod promisit ab eterno[4'36]
John Potter (tenor), Christopher O'Gorman (tenor)
4
Artium dignitas[2'59]
John Potter (tenor), Christopher O'Gorman (tenor)
5
Relegentur ab area[8'01]
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
6
Qui servare puberem (monophonic)[3'28]
Christopher O'Gorman (tenor)
7
Ut non ponam[3'09]
John Potter (tenor), Christopher O'Gorman (tenor)
8
Qui servare puberem (two-part, unmeasured)[4'00]
John Potter (tenor), Christopher O'Gorman (tenor)
9
Porta salutis[5'23]
John Potter (tenor), Christopher O'Gorman (tenor)
10
Ista dies celebrari[5'45]
John Potter (tenor), Christopher O'Gorman (tenor)
11
Qui servare puberem (two-part, measured)[2'46]
John Potter (tenor), Christopher O'Gorman (tenor)
12
Stephani sollempnia[1'07]
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
13
Beate virginis[5'21]
John Potter (tenor), Christopher O'Gorman (tenor)
14
Qui servare puberem (three-part)[1'00]
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
15
Heu quo progreditur[1'53]
John Potter (tenor), Christopher O'Gorman (tenor)
16
Stella serena[3'14]


John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
Hyperion has long been a champion of music from the medieval era and boasts many first recordings in its catalogue, which have combined the highest levels of scholarship with brilliant musicianship, won many awards and opened the ears of a generation of listeners to the repertoire.

In this latest release John Potter, Christopher O’Gorman and Rogers Covey-Crump continue this trail-blazing voyage with a selection from the Conductus genre: the first experiments towards polyphony—the kind of sound we associate with Pérotin. Extensive booklet notes by Mark Everist probe into the intricacies of performance practice as well as analysing the music and poetry in context. This is an important historical document as well as a stunning and committed performance.

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